Anti-drug operation in Kruja Highlands, Kruja and Thumana
Authorities have conducted a large-scale anti-drug operati...
Authorities have conducted a large-scale anti-drug operati...

Ajola Xoxa, in several consecutive writings, not only investigative, but also opinions made by CNA, took her true face in public opinion.
So we cleaned up that image of a girl who hangs behind a politician, of a successful lawyer who had already turned into an art curator, and for that we brought facts and analysis.
Today, we are bringing three points to break down in the best possible way the real face of Ajola Xoxa, why her smile serves the people of art and culture.
To show how politics, clientelistic interests, business, which together are taking the breath and soul of art and culture, have come together badly.
1. Art and culture are the forces that make the social criticism of reality, while in Albania we are seeing a new caste of people, who are using art to clean their face, blackened by corruption. The clearest example was the first exhibition of the "Oysters" Gallery opened at Piramida, where we see the balance of 3 powers, "Mane Foundation Gallery" contracts as curator Ajolë Xoxa of "Harabel" with Landmark Coomunications PR Agency.
2. Ajola Xoxa, "Sparrow", has blocked the visual arts scene in Albania by benefiting not only from international entities in Albania, which as we know are subject to the political "network", but also from public funding as in the case of Ministry of Culture, where it is the winner in several calls for projects. ( READ HERE )


3. Ajola Xoxa's activity as an art magnate in Albania is a 'passion' born after her husband Erion Veliaj came to power as mayor. Since her academic training has nothing to do with this sector.
Also, Ajola's project, "Art in Public Spaces", is in pure conflict of ethics and interest, where her organization "Harabel" undertakes to make Tirana's public spaces available to artists selected by Ajola Xoxa. ( READ HERE )
The concrete case is the installation "Bleta" at the landfill of Sharra, at the incinerator that does not exist, or the installation "Enough is Enough" by Sislej Xhafa at the river of Lana near the former Exhibition "Alhqipëria Sot", or another case with the installed installation in the square of the palaces at "Zogu I Boulevard".


Clearly, Ajola Xoxa is using artists and the cultural world in Tirana, to clean and rehabilitate her husband's image as well as to launder money.
We remind you that Ajola has no educational background in this field, as she studied law in France (her school friends say she never received her degree) and has only 1 Master's degree attended in Albania with her teacher, friend Rames, Vladimir Myrtezain./ CNA
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