An exhibition like an impossible fig leaf

2024-06-17 19:25:00, Opinione Grigels Muçollari

An exhibition like an impossible fig leaf

Member of the Presidency of the DP, Grigels Muçollari, photo taken from his social networks

The king has come out naked. Everyone can see that government ties to crime and corruption have been exposed to alarming proportions and cannot be covered up anymore.

For 3 terms, Edi Rama has played on a stage that has not turned out badly. By selling himself as a controversial artist, he tried to fill the mind of a kind of audience in Europe that such a person could not be culturally related to gangs, or to affairs worth hundreds of millions of euros.

It seems, a creature of aesthetics was in another world, far from evil and evil in general.

It seemed that at first, Rama was an artist, and he had also fallen in love with governing.

In fact, it's quite the opposite.

Edi Rama has exercised the duty of the Prime Minister so feverishly 24/7 and every day of 11 years, that his power has extended to all the spaces and territory of the country.

A thirst for power that he finds in the models of the rulers of the East, and not at all in an Western artist, as he has tried to package himself.

When the skins started to fall one by one recently, from some of the most serious and big media of the continent, the boss of the renaissance tried again to bring us with excitement the participation in an exhibition in Paris.

Cartoon by Orget Ibrahimi

Only this time the tired, anemic French aroma did not take place.

The facts on the other hand are strong.

From France came the portrait of Rama with the interceptions brought by the police authorities of that country, those of encro-chat, where it turns out that some of the most trusted people of the prime minister were involved in very serious crimes.

In Italian, another profile of the avant-garde painter was seen. The features of a Prime Minister were seen waiting in the office for a representative of Sinaloa and giving him a casino license.

The taste for which he invested did not arrive in Germany, but brutally another truth, that of the narco-state in the middle of Europe. Recently, also in Romania, the model of the painter prime minister has been overturned, with dark ties to a general there, involved in the drug trafficking of the Mexican cartels.

In these conditions, the canvases and colors are no longer valid even for the needs of the day, and they will certainly not help either the balance sheet or the legacy that Edi Rama will leave behind. His workshop has flooded.

The day he will no longer have any power, and this day will not be far away, even more of his bad governance will be revealed, even more truths will come out about the connections with crime and corruption.

Many will speak, but few will be there to defend him.